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Album review: 'Ultra Beatdown,' by Dragonforce

By Adam Huber

Album review: Scars on Broadway (self-titled)

By Adam Huber

Strong performances by Cheadle, Pearce lift fast-paced 'Traitor'

By Al Alexander

Album review: 'The Love Chronicles,' by Divine Brown

By Patrick Varine

Album review: 'Beat Konducta Vol. 5: Dil Cosby Suite,' by Madlib & J-Rocc

By Patrick Varine

The Wrestling Genius: What about the women?

By Dustin Watson

Album review: 'North Hollywood Shootout,' by Blues Traveler

By Patrick Varine

Will Pfeifer: If you’re not watching ‘The Wire,’ you’re making a big mistake

By Will Pfeifer

'Mirrors' advertises horror but falls short

By Joe Sicari

Album review: 'Sol-Angel and the Hadley St. Dreams,' by Solange Knowles

By Patrick Varine

The Farr Side: Second chance crucial for Spears at VMAs

By David T. Farr

Frank Caliendo enjoying life as a chameleon

By Brian Mackey

Nick Rogers: Jackson Browne is not happy

By Nick Rogers

Album Review: 'A Message To...' by Rudebwoy Face

By Patrick Varine

'Idol' winner David Cook announces album release date

By Stephanie Boothe

Book review: 'Gospel' does justice to the spirituality of Springsteen

By Peter Chianca

The Wrestling Genius: The new blood

By Dustin Watson

Rainn Wilson excels in role of misfit

By Constance Gorfinkle

Watermelon Slim still a major player on the blues scene

By Chad Berndtson

Album review: 'Pro Tools,' by GZA/Genius

By Patrick Varine

Album review: 'Raw Footage,' by Ice Cube

By Patrick Varine
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